1 on the Rhythmic Songs airplay chart, tying Rihanna for the second-best total Usher leads with 13. 1 on R&B/Hip-Hop Airplay and his 11th No. It becomes Drake’s record-extending 17th No. “Bling” also crowns Billboard’s Hot Rap Songs for a third week and holds atop the subscription services-based On-Demand Songs chart for a second frame (8 million, up 11 percent). “Bling” bumps 4-3 on Streaming Songs (17.5 million, up 11 percent) and 9-7 on Radio Songs (93 million in audience, up 22 percent). He previously led for a week each as featured on “Name” and Lil Wayne’s “She Will” (2011). 1, and first as a lead, on the Digital Songs chart, climbing 2-1 with a 19 percent gain to 121,000. Overall, he’s charted one song higher: Rihanna’s “What’s My Name?,” featuring Drake, topped the Nov. His debut smash, “Best I Ever Had,” peaked at No. 1 on Billboard’s Hot R&B/Hip-Hop Songs chart.ĭrake rises 3-2 on the Hot 100 with “Hotline Bling,” matching his highest rank as a lead artist. “Hills” also notches a fourth week at No. streams, down 5 percent), after leading each list for two weeks.īillboard Cover: The Weeknd on Why ‘Nobody Can Stop Me But Myself’ 8) and Streaming Songs (17.6 million U.S. The track drops 1-2 on both Digital Songs (98,000 downloads sold, down 6 percent in the week ending Oct. 1 on the Hot 100, powered by its third week atop Radio Songs (149 million in audience, up 2 percent, according to Nielsen Music). “Hills,” released on XO/Republic Records, stays at No. Highlights of the airplay/sales/streaming-based Hot 100 post on each Monday, with all charts updated each Tuesday. As we do each Monday, let’s run down the Hot 100’s top 10 and beyond (on the chart dated Oct. It’s time for another Weeknd update (to borrow Saturday Night Live‘s line, as The Weeknd appeared on the Oct. In plainer parlance: it just means the f***ing phone is ringing.Hozier Lands First U.K. It is not a single term, but instead a two word fragment containing a noun and a verb. Now, after thorough examination, the definition of, “Hotline Bling” is finally uncovered. Then, as the meaning of “Bling” slowly dawns upon us, we see that the author has again forsaken tense by stripping the infinitive of either an “ed” or an “s”.Ĭorrected for proper use of the language, but allowing an artistic shift to the present tense as an ironic reflection of permanence and hope, the chorus reads as follows: The first layer of grammatical misdirection is the complex juggling of tenses while Drake is clearly referencing historical events, as illustrated by the phrase, “You used to…”, he insists on framing his understanding of the bygone transmissions in the present tense, as illustrated by the conjugation, “I know…” Not only has Drake unilaterally expanded the definitive essence of the term, but he has simultaneously shrouded it in two layers of improper grammar, making the obfuscation almost impenetrable without a careful analysis of the chorus lyrics… ‘look at the bling he’s already wearing on his left arm’Īs I previously mentioned, however, the application of “bling” in Drake’s somber ballad is not an allegiance to authenticity, but what can only be described as a “Re-Slanging” of the term into the state of a grammatically spurious verb. I am of course referring to the term, “Bling” Įxpensive, ostentatious clothing and jewelry: In fact, the seminal drive behind this pivotal word was so powerful that, in 2003, it was added to the most prestigious of vernacular archives The Oxford Dictionary. The strength of the hoax is further compounded by nostalgia and an impulsive word-association that has been driven into our subconscious by lexical pioneers of the very music genre through which Drake serenades us with this compelling tale of wayward booty. With this title, Drake has tricked you – a grammatical ruse so shrewd for the simple fact that, presented primarily in the context of an isolated song title, nobody would ever suspect that “Hotline Bling” is not in fact a noun. In this instance, however, we are not confronted with your usual case of aural inadequacy, or naïve misinterpretation of what Nelly describes in his 2000 hit as an intricate rural dialect of, “…be’s ebonics, gin tonic and chronic”. The problem, as it often can be with rap, is grammar. To the question, “What is Hotline Bling?”, there is little consensus on any one answer – largely because “Hotline Bling” is not a thing.
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